The air has no salt I
Through this work i question the dead and its relation with its image; its representation, as an act of preservation. It is also an attempt to create a configuration (out of a decomposition) that questions the form of things through its alteration between life and death. It is an interplay between my imagination and “shapes of death” that results in these visual constructs.
In his text “The Ontology of the Photographic Image”, André Bazin wrote : “How vain a thing is painting if underneath our fond admiration for its works we do not discern man's primitive need to have the last word in the argument with death by means of the form that endures.”
The text page included through this body of work is from a book called “L’immortalité” by Milan Kundera.
This work began in 2014 and was lastly updated in 2025.
Huge thanks to my beloved cousins Robin & Ronald for giving me a hand.
